August 11 to September 24, 2016
The work of artist Philippe Blanchard seeks to restore animation’s fundamentally marvellous and magical nature. He experiments with screen printing and installation in order to impart a tactile, spatial, and event-driven dimension to animation, pushing it beyond the limits of the screen. Working with light, as opposed to video projection, opens the door to new thematic resonances such as the symbolic weight of fire, which can be perceived as an archetypal form of animation. With its stalagmites and stalactites lit with stroboscopes and projectors, Nouveaux Troglodytes will transform the gallery into an animated, psychedelic space bridging the distant past with the future’s possibilities.
Philippe Blanchard is a multidisciplinary artist in Toronto who works in animation, screen printing, and installation. He studied Fine Arts and Cinema at the Université Concordia (BFA, 1998) and OCAD University (MFA, 2010). His video and installation work has been shown in Canada, North America, and Europe. Philippe Blanchard teaches animation at OCAD University. The artist wishes to thank the Canada Council for the Arts and the Ontario Arts Council.
Subterranean Paper and Light
An accompanying text by Maty Ralph
Stories of the secret underground have always intrigued us. From Indiana Jones to BBC’s Planet Earth, our hunger for sub-surface mystery is constantly being reflected in art and entertainment. In Nouveaux Troglodytes, Philippe Blanchard manages to take us a step further by providing us with a narrative-free setting in which we are encouraged to play out our own fantasies of darkness and depth.
It starts with the shapes. Stalactites and stalagmites are commonplace for any spelunker, but for your average urbanites these forms are a gateway into a world that beckons forth our primal urge to explore. Blanchard knows how to play with this urge; he gives us form, light and sound in just the right dose. If he were to offer too much detail, the world he created might have become too vivid and, by consequence, too small. Instead, he uses the principles of minimalism to gift his audience with the tools they need to create their own story.
Mysteries in the modern world are getting harder and harder to find. With satellites, we discovered a way to map out the topography of Jupiter’s third moon and suddenly the surface of our own world seemed rather bush-league in comparison. And so we find ourselves venturing beneath the surface where the ancient unknown can still hide, unthreatened, for now, by the prying eyes of the digital age.
And it is in the relationship between the arcane and digital where Blanchard uses contrast most brilliantly. He has built a world of stone and moss and darkness out of pixels and paper and light. As the animated conical forms blink and buzz and the electronic soundscapes resonate and reverberate, the space becomes shrouded in the delightful haze of contradiction. A future-history hybrid is formed where nothing is what it seems and the only certainty is that this place is definitely far beneath the surface.
And that’s where we secretly want to be: where mysteries still have power because they remain unsolved.
The cave, after all, is where we think art was born. In subterranean earth lay the first ever galleries, where the images on the walls strove to understand the world above, a world where the mechanics of virtually every phenomenon were still awesomely enigmatic.
Now, in the age of information, the gallery must play host to the cave. Nouveaux Troglodytes is an enthusiastic return to a space where we may once again explore the last great, untold secrets of the modern world.
Maty Ralph loves talking to you about art and is always on the lookout for new adventures that challenge the heights of imagination.